Tagged: The Globe Theatre

King Lear: Live cinema broadcast from the Globe Theatre, London

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I have been to the Globe twice this summer (to see Romeo and Juliet and Much Ado About Nothing) and enjoyed both times immensely. I’d never read either of the plays (just looked up the plots on Wikipedia) but I loved the experience of seeing them live.

So when this opportunity arose I jumped at it. My local cinema was broadcasting a live performance of King Lear – the first time the Globe Theatre has done so.

I was impressed – the cameras always gave you a clear view and you got a good indication of what it is like to see a production live. Obviously not as good as the real thing but the equivalent of standing in the crowd near to the front of the stage. Picture and sound quality were very good and you got to sit down in a comfy seat for three hours in the warm. There’s a lot to be said in favour of that on a chilly September evening.

All the actors were very good in their roles, with the main character of Lear being portrayed brilliantly. The play, despite being a tragedy, did have a number of barbed lines by the King that raised a laugh, mainly at the expense of his wayward kin. Maybe it’s the fact that I have daughters myself that made things ring true. Hopefully my vanity and conceit are not great enough to kick off events such as these.

When I booked my ticket it was around £18, which is only a bit cheaper for me than going to a performance if I bought a standing ticket and paid my travel costs. Still, that’s only because getting to the Globe is a possibility for me. By the end of the event I thought it was a fair price to pay, especially given the small number of people at the showing, the price of tickets to the event in general and the opportunity you are given to attend a show that you most likely would not be able to get to see otherwise.

I would definitely go to one of these cinema broadcasts again for other events and I would like the Globe to do this again for other productions.

Much Ado About Nothing (The Globe Theatre, London)

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I’ve never had a particular interest in Shakespeare but earlier this year we did a family tour of the Globe Theatre, situated on London’s Southbank. We had an engaging guide and this led to taking my daughter to see a rather unconventional version of Romeo and Juliet. I had a rough idea of the plot, but in that moment the play came alive.

The one problem we had was that – despite paying for pretty expensive seats – we had an obscured view. A wooden pillar a couple of rows in front meant that I spent most of the time leaning to the right a bit to make sure I had a good view of the stage.  The person next to me was very obliging.

Still, in the afterglow of the performance I booked to see Much Ado About Nothing.  This time I wanted to be in the midst of things, in with the crowd, exposed to the elements, up close.  This meant a couple of things:

  • I got a ticket for £5 (!)
  • I went on my own as my daughter refused to stand for 3 hours

Anyway, I got my clear viewpoint:

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Being that close is a fantastic experience, a visceral connection.  You get a face full of smoke.  The gunshots ring in your ears.  At times I had to shuffle forward as the cast passed through behind me to get to another stage in the crowd.

The performance was stunning, vibrant, poignant, funny.  The play is set in Mexico, 1914, and was performed with such energy I completely forgot that it was in Shakespearean English and just enjoyed the spectacle:

At the end you feel elated and with the sense that you must have just seen the best show in London.

At the time of writing (mid September 2017) there is still time to see the production.  If you can get tickets, I urge you to go even if you think that Shakespeare isn’t your thing.  After seeing this, it will be.

Next year I will be back, regardless of what is showing.